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French filmmaker Armel Hostiou discovers he has a double in Kinshasa. Someone has created a fake Facebook profile in his name to hustle aspiring actors. So Armel heads to Congo’s vast capital to track him down, and there begins one of the wildest and most unpredictable films of the year. An elementally suspenseful and wildly entertaining detective story about a white filmmaker on foreign ground. But also a story which with hilarious self-irony and in one twist after another turns into a darker story about the internet, identities and post-colonial struggles in the 21st century.

IIn November 1975, the second trial begins against Pierre Goldman, a militant of the extreme left, who had been sentenced to life imprisonment in the first instance for four armed robberies in which two pharmacists were killed. He protested his innocence in this last case and within a few weeks became an icon of the intellectual left. The young lawyer Georges Kiejman takes over his defense. But their relationship soon becomes strained. Goldman, who is elusive and provocative, risks the death penalty and makes the outcome of the trial uncertain.

Garfield, the world-famous, Monday-hating, lasagna-loving indoor cat, is about to have a wild outdoor adventure! After an unexpected reunion with his long-lost father – scruffy street cat Vic – Garfield and his canine friend Odie are forced from their perfectly pampered life into joining Vic in a hilarious, high-stakes heist.

Wracked by guilt after covering up a murder, Mona — a northern Sudanese retired singer in a tense marriage — tries to make amends by taking in the deceased’s southern Sudanese widow, Julia, and her son, Daniel, into her home. Unable to confess her transgressions to Julia, Mona decides to leave the past behind and adjust to a new status quo, unaware that the country’s turmoil may find its way into her home and put her face to face with her sins.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.